So the camera still hasn't arrived in US stores. However, last Friday it got to Canada. On Monday I ordered mine, and today (Thursday) it arrived, much to my pleasant surprise!
Although my wife has a D-lux 4 (fancy point and shoot), this is my first real digital camera. (Real = better than a camera phone quality)
I think I'm hooked, but I must say, I'm glad I waited for this camera. I'm not sure if I would have been happy with other earlier digital releases. I haven't done a side-by-side, but I bet this camera's quality at least beats the $8,000 cameras of a few years ago (Nikon D3).
First impression after a night of shooting? This camera rocks!
Performance: The photo quality at high ISOs is amazing. At screen resolution, I can't see noise at ISO 6400.
Jpegs: Look fantastic. Can't see how I could improve with shooting Raw.
Autofocus: It's fast and snappy when there is a reasonable amount of light, at about a Light Value (LV) 8 or higher). At LV -3, it was quite slow, perhaps 1-2 seconds.
Using M lenses: I was a little slow in focusing, but I think it will improve over time. I didn't exactly focus an optical rangefinder quickly the first day I picked it up. You can use magnification to get correct focus if your subject is sitting still. Regardless, I was able to focus without any real issue.
The camera with the Fuji 35/1.4:
The following with the Fuji 35/1.4
ISO400 at f/1.4:
ISO640 at f/2.2
ISO3200, at f/1.4
ISO12800, at f/1.4 and 1/7 shutter speed, hand held. This is a Light Value of -3
ISO25600 - this is the level of noise seen at ISO 800 on many vintage 2007 digital cameras, and for the grain of Fuji 1600 color film (now discontinued).
The camera with a Kipon M mount adapter and a Leitz Summicron 50/2 DR:
The following with Summicron 50/2 DR
ISO 3200 at f/2
ISO2500 at f/4
Film simulation:
I like the film situation modes as I have a reference to the look I want. I need to try out Velvia on a nice sunny day and see if the colors are as punchy as the film. Right now I see a small difference in color saturation, but may not as different as the film.
Astia:
Velvia:
Black and White:
The camera has settings for not just black and white , but "B&W plus yellow filter, "B&W plus green filter" etc. I'm still not a huge fan of digital black and white, but I think it has made some improvements
Thursday, March 29, 2012
Monday, March 12, 2012
Pulling Provia 400x
So we were headed to the zoo, I grabbed my Rollei and a roll of Provia. Only after I finished shooting did I realize it was Provia 400. Doh! I shot the roll at ISO 100.
I sent it to the developers requesting them to pull it 2 stops. They said they only could do a one stop pull. So I said okay as I had little other choice.
The results were not that bad. There is definitely a color shift toward magenta, but the images were saved with the help of Photoshop (Elements 8)
Original Scan:
After Photoshop
I sent it to the developers requesting them to pull it 2 stops. They said they only could do a one stop pull. So I said okay as I had little other choice.
The results were not that bad. There is definitely a color shift toward magenta, but the images were saved with the help of Photoshop (Elements 8)
Original Scan:
Saturday, March 10, 2012
Remaining Film Stock
Going digital, I decided to take stock of my inventory of film. I have a total of 62 rolls, plus some 2x3 sheet film
Digital will replace all of my 35mm color negative work, but I still intent to use film for B&W and some slides. I imagine I won't shoot any film for several months after I get my new camera, but then come back to it a little.
Remaining Rolls:
Digital will replace all of my 35mm color negative work, but I still intent to use film for B&W and some slides. I imagine I won't shoot any film for several months after I get my new camera, but then come back to it a little.
Remaining Rolls:
Film | B&W | Color Negative | Slide |
120 | 14 | 5 | 10 |
35mm | 20 | 6 | 7 |
Thursday, March 1, 2012
The End of Ektachrome
Kodak, now in bankruptcy protection, has discontinued all slide films. I have several rolls in the freezer, but I am started to think that if I wasn't voluntarily moving to digital (based on lack of time), then I would be forced there soon anyway.
That leaves only the following slide films: Provia 100/ 400, Velvia 50/100/100F (by Fuji) and Rollei Digibase CR200 (copy of Agfachrome RSX II 200)
Within the last several years there has been several notable films discontinued:
I imagine B&W film will be around for a long long time, but color film may not be. The plus side of B&W film is that you can easily develop it yourself... meaning that if they do discontinue it, you can load up a freezer full.
That leaves only the following slide films: Provia 100/ 400, Velvia 50/100/100F (by Fuji) and Rollei Digibase CR200 (copy of Agfachrome RSX II 200)
Within the last several years there has been several notable films discontinued:
- Kodachrome 64 (June 2009)
- Neopan 1600 (December 2010)
- Astia (December 2010)
- Ektachrome 200 (February 2011)
- Plus X (March 2011)
- Ektachrome 100 (March 2012)
I imagine B&W film will be around for a long long time, but color film may not be. The plus side of B&W film is that you can easily develop it yourself... meaning that if they do discontinue it, you can load up a freezer full.
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